Gianni Mimmo is an Italian soprano saxophonist who, although using traditional styles, really has a great approach to avant-garde jazz, and this album is a wonderful example of what modern music can sound like without alienating listeners. He is joined by Andrea Serrapiglio on cello and Francesco Cusa on percussion. The three manage to create little gems of free music, playing their instruments with an almost classical tonality and sound, while the musical approach is exquisitely modern. It has the paradoxical quality of being cerebral and warm at the same time, with abstract improvised compositions with high intervallic jumps, but played sensitively and full of empathy. The other great asset of this record is the variation brought by the use of the instruments, and then especially by the percussion, which hardly ever provides the basic rhythm for the piece, but usually prefers implicit support, accents and shadings to the improvisation taking place.
The third great thing is the variation in the styles, demonstrating that even avant-garde can be fun and is not necessarily high-brow, such as in the joyful "Pot Head Pixies" (yes, I'm a Gong fan too!), or the somewhat bizarre "Cartoon Shouter".
I'm not quite sure what the title of the album refers to, but the best I can find is the Japanese definition of great art as "controlled passion", another contradiction which works well in this case, and which is also illustrated by the compactness of the tracks, which apart from offering lots of variation, also demonstrate that the musicians concentrate in a very disciplined manner to extract the essence of the musical idea, without loosing themselves in long and meaningless excursions. A strong achievement.