- Splatter has no relation whatsoever with the American Splatter Trio, with Dave Barrett, Myles Boysen and Gino Robair, a rock-ish free jazz improv band that was active in the 90s.
- The back cover reads "Reach for the sick bag. This is music for dung beetles, execrable flotsam from the rotting underbelly that passes for everyday life. This lamentable babbling is like scratching an already pustulating sore - a festering stew that relishes its own putrefaction, cherishing each tiny scabrous canker that passes for creativity." and ending with the warning : "You'd have to be brain dead to listen to this". Which is a load of crap with equally no relationship to the music you can hear on the record ... and it almost made me put the record on the slush pile without even listening to it ....
The music is sweet, gentle and accessible, free and quite mature, in contrast to the adolescent scribblings on the back cover. And entirely improvised. And I must say, well improvised. The lyricism and interplay on some pieces make it sound as if it's thoroughly rehearsed or at least pre-conceived, but apparently not. The bass guitar of Monsalve is one of the most distinguishable and defining factors of the music. He gives color, punch and rhythm, allowing for the double reed front line to interlock phrases and melodies, and giving the excellent drummer the opportunity to play on or around the beat at leasure. Both Kaluza and Taylor are really good and creative, not trying to imitate, but making their own sound. It all sounds young, crisp, fresh, modern, with rock-influences of course, and with vision and coherence. They give the Claudia Quintet as possible reference, and in terms of sound there are indeed analogies, but not conceptually. Chris Speed and Jim Black are somewhat better for comparison, albeit a little more free.
And misanthropes? Not at all. They have a sensitivity and emotional content that is too gentle.
A really strong and enjoyable debut.
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