True Events". Taylor Ho Bynum plays cornet, Tomas Fujiwara drums. On ten tracks, varying between less than one minute to a little over ten, they sing, they swing, they shout, they murmur, they growl, they scream, they dance, they joke, they weep : they break boundaries and the remain cosy and comfortably within the tradition.
Some of the pieces, such as "Keys No Address", or "B.C." are clearly composed, others, like "Iris" and the long "Splits" are free improvisations that could evolve in any direction. And that's the great part of this album : you hear it all: the history of jazz in a nutshell (Gillespie/Roach, Don Cherry/Ed Blackwell to Dixon and beyond), technically broad, creative and inventive, and with loads of passion.
Listen to some tracks of a perfomance at WFMU which will give you a better idea of the music on this album.
(The live audio in this post is licensed under a Creative Commons Attribution-NonCommercial-Share Alike 3.0 United States license.)
and some video material ....