By Eyal Hareuveni
Pale Calling is the first collaborative work of three electroacoustic sculptors - Australian Oren Ambarchi, Parisian composer Kassel Jaeger, and Australian composer, Los Angeles-based James Rushford. The two side-long extended pieces of this vinyl album, recorded at GRM studios in Paris in 2014, sketch an intriguing and quite accessible sonic territory. Both are layered like gentle, surreal puzzles of weird-sounding field recordings, unintelligible vocals and child-like cries, processed electronic sounds with fragmented, rippling percussive touches.
The two pieces, “Pale” and “Walking”, navigate organically and patiently through hazy, atmospheric terrains according to their inner dream-logic compass. “Pale” suggests a more subtle and sparse sonic scenery, spiced with a surprising, minimalist reference to the iconic organ theme of Procol Harum’s “A Whiter Shade of Pale” at its coda. “Walking” has a clear narrative, progressing along an addictive rhythmic pattern matched with a seductive cinematic theme played on the harmonica and the piano. This theme sounds as coming from a futuristic David Lynch film, obscured more and more by disturbing wordless, human vocals, but ends with a field recording of distant animals and insects.