Ehran Elisha - Kindred Spirit: Quintets (Out Now, 2016) ****
The first disc, Kindred Soul features the late Roy Campbell (1952-2014) on trumpet, and the second disc, the Spirit Suite, is an improvised group with OutNow label mates including Yoni Kretzmer and Michael Attias. The connecting thread, aside from the drummer of course, is that both quintets were recorded at IBeam in Brooklyn one night in 2013.
A real treat of the Kindred Soul quintet is a chance to hear new posthumous work from Campbell, but it is the duo of Ehran and his father, pianist Haim Elisha, that are at the heart of this music. Ehran sets up the framework for the group's interplay as the album opens. The first track, 'Prism' begins with atmospheric percussion and a light sprinkling of mysterious arpeggios from the piano, then, when Campbell enters, a real boost of energy. The intersection of Campbell's melodic lines with open tonal clusters from the piano, accented by percussive textures, is a treat to savor. On 'Charted Treks' Campbell sets the stage as his blues-drenched trumpet work shoots laser-like through oscillating piano figures and an undulating rhythm. On 'New Horizon', violinist Sam Bardfeld goes toe-to-toe with Campbell in a kinetic tussle. 'Moving On' features an energetic bass and drum passage that bundles up melody and atonality in a tempting package.
On the second disc, Spirit Suite, the piano-less quintet offers up quite a contrast to the first disc. With the group's two saxophones, Sean Conly on bass, and Rick Parker on trombone, the approach has an edgier tonality and lacks the lush harmonies provided by the piano. 'Spirit Serenade' kicks things off again with Elisha's stick work, Conly plays a spritely walk, and the horn section enters with a legato phrase. The controlled free playing that occurs gives listeners many musical strands to follow, with an overall effect of weaving a rich sonic tapestry. Parker's measured and melodic trombone solo at the end of the track is a knockout. The track 'Two by Five' is as classic free jazz as it gets. Intertwining themes are lifted by the deft rhythm work of Ehran and Conly. The closer, 'Outrise' has a slow fuse, but it when it burns down ...
In both of these quintets, Elisha's drumming is an equal partner in melody and tempo. He doesn't try to stand out as much as pull together through improvisation and composition. His great strength comes through creating the setting and guiding the music through its complex moods and approaches.
Kindred Spirit: Quintets is an excellent showcase for Elisha's musical concepts and relationships.
Ehran Elisha Ensemble - Continue (CIMP, 2013) ****
Worth a mention is Elisha's previous album Continue. Also featuring the piano work of his father Haim Elisha, the tight musical connection that drives the Kindred Souls quintet is on full display here too, along with the work of violinist Sam Bardfeld, saxophonist David Bindman, and bassist Ken Filiano.
'Continue, part one' begins with long passages featuring all the players, but right about in the middle of the 18-minute track, there is a spot where all the points seem to connect, like the center of an intricate spider's web and bassist Ken Filiano anchors it. From there, the bass and violin take extended solos with minimal splashes of color from the piano. When the sax comes back in, the music has changed and part two begins. Another highlight is the short 'Kirat Moshe' - an homage to the Jerusalem neighborhood perhaps - tinged with a melancholic beauty.
The mix of instruments and sharp compositions makes Continue something to come back to again and again.
Kindred Soul (disc 1):
Roy Campbell - trumpet & flugelhorn
Sam Bardfeld - violin
Haim Elisha - piano
Dave Phillips - double bass
Ehran Elisha - drums
Spirit Suite (disc 2):
Michaël Attias - alto & baritone sax
Yoni Kretzmer - tenor sax
Rick Parker - trombone
Sean Conly - double bass
Ehran Elisha - drums
Haim Elisha: piano;
Sam Bardfeld: violin;
David Bindman: tenor saxophone;
Ken Filiano: double bass;
Ehran Elisha: drums