The Free Jazz Collective

Reviews of Free Jazz and Improvised Music

Tuesday, December 20, 2022

Markus Eichenberger & Christoph Gallio - Unison Polyphony (ezz-thetics, 2022)

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By Keith Prosk Markus Eichenberger and Christoph Gallio improvise ten obliquely intersecting melodies for clarinet and soprano saxopho...
Monday, December 19, 2022

Two from Keiji Haino

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By William Rossi As a well-documented diehard Keiji Haino fan, this year he'd already delivered some great music: his tran...
Sunday, December 18, 2022

James Brandon Lewis Roundup

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By Nick Metzger It’s widely acknowledged that New York saxophonist and composer James Brandon Lewis is a special musician. ...
3 comments:
Saturday, December 17, 2022

Satoko Fujii and Natsuki Tamura: Recent Albums

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By Eyal Hareuveni For years, the Free Jazz Blog has followed the sonic adventures of pianist-composer Satoko Fujii and trumpeter Natsuki...
Friday, December 16, 2022

Great Waitress - back, before (Splitrec, 2022)

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By Keith Prosk Laura Altman, Monica Brooks, and Magda Mayas play two live environments for clarinet, accordion, and piano on the 4...
1 comment:
Thursday, December 15, 2022

Marek Pospieszalski Quartet – Dürer’s Mother (Clean Feed, 2022)

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By Irena Stevanovska From the flourishing Polish Jazz Scene, Marek Pospielszalski strikes again - this time with an admirable quart...
3 comments:
Wednesday, December 14, 2022

TiTiTi - Štafelaj (Sploh, 2022)

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By Ron Coulter The swinging Slovenian free jazz trio, TiTiTi, is Jure Boršič (alto saxophone, clarinet), Jošt Drašler (double b...
Tuesday, December 13, 2022

Three Overlooked Gems

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By Gary Chapin I was surprised to see that we had not reviewed these gems, but not surprised to see that I was the one who’d promised ...
Monday, December 12, 2022

Filippo Abrate - Warm To Become (MUPE, 2022)

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By Guido Montegrandi When musicians go solo, their space expands and they confront (among other things) the choice to fill it with...
Sunday, December 11, 2022

Rachel Musson, N O Moore, Olie Brice, Eddie Prévost - Under the Sun (Matchless, 2022)

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By Stuart Broomer “The spiky unabashed electric eclecticism of the guitar, and my own skew-whiff, bomb-dropping bashing, wil...
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