By Martin Schray
Peter Brötzmann/Peeter Uuskyla - A Crack To Beauty (Omlott, 2016) ***½
For almost twenty years, Peter Brötzmann and Swedish drummer Peeter Uuskyla have been playing regularly together as a duo and in a trio with Danish bassist Peter Friis Nielsen. Brötzmann’s collaborations with drummers are many, but the duo with Uuskyla represents an alternative to those with, say, Hamid Drake or Steve Noble. Uuskyla’s style is jagged, full of twists and turns. Brötzmann adapts by harking back to his sound of the 70s and 80s. Straight free jazz, less vibrato and overtones, no pity, sounding angry, brittle and uncompromising. Notwithstanding its coherence, A Crack To Beauty can also seem a little redundant here and there. All in all a good album though.
A Crack To Beauty is available on vinyl in a limited edition of 500.
Listen to a an excerpt here:
Peter Brötzmann/Peeter Uuskyla - Holy Drinker 7’inch (Omlott, 2016)
Holy Drinker contains two tracks from the A Crack to Beauty album, “Holy Drinker“ and an excerpt from “Cracked Way Out“ (rating see above). It’s a 7’inch limited to 150 copies. For die-hard collectors only.
Borah Bergman/Peter Brötzmann/ Frode Gjerstad - Left (Not Two, 2016) ****
Brötzmann’s trio with Borah Bergman and Frode Gjerstad is a recording from the Molde Jazzfestival in 1996 and can be seen as a tribute to the late great New York pianist (the cover shows just Bergman). Brötzmann has released two albums in a similar formation with Bergman and Thomas Borgmann (Ride Into the Blue and Blue Zoo) and with Bergman and Anthony Braxton (Eight by Three), all of them recorded around the same time. Again, he‘s on tenor, clarinet and tárogató here while Gjerstad can be heard on alto saxophone. The album’s interest lies mainly in the contrasting sounds: Bergman emphasizes the extreme registers while the two saxophones dance like hummingbirds around a flower (“Left Hand“). There are also some awesome solo moments where melodic elements shine through (“Left Us“). The album presents Brötzmann as a disciplined team player, and Bergman steers the ship with firm, stoic chords providing a foil for the saxophones. Left is a solid date, with three distinctive stars of the scene.
Left is available on CD.
You can listen to the complete album here:
Laboratorio Musicale Suono C + Peter Brötzmann: DEComposition (Setola Di Maiale, 2016) ****
DEComposition is available on CD.
Listen to “DEComposition 6“:
Available via www.instantjazz.com or the label websites. Left can be purchased at downtownmusicgallery.com.
the final disc of your run through is marvellous (I also rate the duet with Uuskyla). Great to here Brotzmann in a different musical environment and Laboratorio offer that in an imaginative and uncompromising manner. I agree that it is the differences between Brotzmann's sound and collective's that creates the musical tension so successfully.
I bought my copy direct from http://www.setoladimaiale.net/catalogue from where I received a very speedy and helpful service
Don't forget to include his brilliant album with Black Bombain, it is one of my faves from this year.
Agreed with Jason, the Black Bombain album is killer.
Clean Feed strikes again.
You can find it in part III.
you mentioned thomas borgmann's long years collaboration w/ Brötzmann
that reminds me that Brötzmann teamed intensive for about 4 years with the 4-tet Ruf der Heimat (Willi Kellers on drums & Christoph Winckel on bass).
They played, I guess, nearly every place & festival in Europe...but as far as I know the released only 1 record: Machine Kaput...a fabulous classic CD!!
By the way: it's strange that you don't find to much written about this not even short period in most Brötzmann written 'his story' (as Sun Ra would say ;) )
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