The Free Jazz Collective

By  Paul Acquaro The weekend's festivities kicked off out on the Race St. Pier, which juts out into the Delaware River at the fo...

By Paul Acquaro The October Revolution concert festival held Oct 5th through 8th in Philadelphia hinged its name on the seminal summ...

By Lee Rice Epstein Way back in January 2015, Stef reviewed an album called Music for Church Cleaners, Volumes I & II , a recordin...

By  Fotis Nikolakopoulos It’s always interesting, as it is puzzling, encountering an artist with no prior knowledge of him or her. I ...

By Daniel Böker The first time I came across the name Ikue Mori was with her collaboration with Sonic Youth (as was the case with man...

By Eyal Hareuveni When it comes to free-improvisation you most likely don’t need more than the surnames of French double bass master Jo...

By Gustav Lindqvist Eyal Hareuveni’s great series of reviews; ‘ The Swedes Are Coming’ has always made me, a Swede, very happy. I...

By Paul Acquaro I've long been a fan of drummer Tomas Fujiwara's compositions, enjoying his music's melodic tendencies and...

By Chris Haines Earlier on in the year this album seemed to slip out quite unobtrusively on the Enja label, without any fuss or hype. H...

By Eyal Hareuveni After performing and recording for about twenty years, prolific Chicagoan sax player Dave Rempis felt that the time ...