John Coltrane – Live at the Village Vanguard (Impulse, 1997)
There are certain recordings that stretched my grasp of jazz (and indeed music). Andrew Hill’s Point of Departure comes to mind. Coltrane’s LVV collection is another. Recorded over four nights in 1961 at the Jerusalem of Jazz, only five of the originally recorded numbers were released in the following two years. The 1997 box set is a genuine treasure. The structure of the music remains within standard hop bop spaces, but the moods blossom into an entirely new ecosystem. The inclusion of Eric Dolphy was one of Trane’s most brilliant moves. On Naima, Spiritual, India , his low horns (also sax and bass clarinet) perfectly match Trane’s tenor and soprano sax. Trane’s interest in alternative spiritual and musical traditions is obvious enough. His famous “sheets of sound” slide in and out of every line. I find the articulation of Coltrane’s own personality to be as vivid here as on any of his recordings.







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