Nate Wooley and Ken Vandermark - East by Northwest (Audiographic, 2014) *****

By Paul Acquaro

The Winter Jazz Festival hit NYC last weekend. It was a crazy scene - sold out shows, SRO venues - but there was a lot of great music. One show that really stood out was Nate Wooley and Ken Vandermark's duo set. Their concept was modeled after the combo of trumpeter Bobby Bradford and saxophonist and clarinetist John Carter, who were based out of LA during the early years of free jazz. 

This show was the second date on the tour for their new record East by Northwest, the title a reference to their own associations with New York and Chicago. What struck me immediately about the show was just how full and vibrant of a sound they were able to create with just the two horns. No doubt a great deal of this had to do with their compositional approach - melodies and counter melodies stretching out the musical fabric between them, creating an atmosphere as much as actual notes and tones - but then toss in the sheer virtuosity of their playing and it is quite an ear opening experience. I picked up the CD at the show and am pleased to report that what I heard from the stage is captured wonderfully on this album.

The opening track, 'And She Speaks', penned by John Carter, begins with a delicate melody, starting in tandem and then stretching outwards. Elements of extended technique are used to shade in the spaces a little - trills on the clarinet, sputtering on the trumpet, jumps in tempo and treatments, but always rooted - however abstractly - to the melody. 'Best Coast' is another example - the two horns begin a rapid scalar ascent to a surprisingly dissonant destination, then stop, and do it again and again. 'Call The Numbers (for Christian Marclay)' features a vivid solo from Wooley while Vandermatk employs the incidental sounds of his sax to generate additional momentum. A real highlight of the album for me is 'Deconstructed Folks (for Bobby Bradford and John Carter)', the duo starts out with an upbeat theme that soon splits into parallel steams that reconnect from time to time. 

I'll stop here with the track-by-track run down - why ruin the experience? This is a duo that will challenge and delight. Their playing is emotional, imaginative, and connected throughout. 

Check out below video of Wooley and Vandermark playing in Philadelphia and maybe you can still catch them on tour. Plus, you can get the recording over at Instant Jazz, well, right away.

Enjoy some videos from the duo's performance at Fringe Arts in Philadelphia on Jan 11th:

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Duology - Golden Atoms (Soul Note, 2008) ****

This is only the second (third?) clarinet-trumpet duet that I can remember, next to John Carter's and Bobby Bradford's "Tandem 1" and "Tandem 2". Of course there is also Anthony Braxton's "Duets" with Taylor Ho Bynum, but then on sax and cornet, which is also a rare combination. Duology is Michael Marcus on Bb clarinet and Ted Daniel on trumpet, two musicians with a great track record. However unusual, the format deserves attention, because of its possibilities for almost abstract purity and intimate conversations. That's at least what both men do here. Like atoms, they're circling around a musical nucleus, in ellipses in the same sphere, sometimes in sync, sometimes almost in collision. Some parts are clearly composed with great unison themes, but most of it isn't, and the most extraordinary thing about the album, next to the strong musicianship of both artists, is the unbelievable speed at which they react to one another. The fun thing is their exploration of musical form, in terms of scales and rhythms, themes and structures, but all this in an unpresumptuous simplicity which hides lots of underlying complexities. But for the listener, these are irrelevant, it's the overall end result that counts. And although it sounds a little distant at times, it is more than just an intellectual journey into music, it remains first and foremost an emotional listening experience.

© stef

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